Eventide h910 harmonizer & stereo room reverb

It also had the first Reverse delays and introduced a Random pitch mode, which works great as an automatic double-track for guitars and vocals. It introduced a formal micro pitch-shifting mode, which is a great sound for lead guitar virtuosos. In 1977, Eventide released the H949,В standingВ on the shoulders of the H910 as the second in Eventide's family of Harmonizers. Explore vintage modulation sweetness with the Instant Flanger Mk II. The result, more control layers and less predictable sweeps.

Whereas the Instant Phaser offered several methods of controlling modulation, the Instant Flanger allowed engineers to combine these controls. The Instant FlangerВ utilized newfangled bucket brigade ICs for swept delay resulting in a 'true', time-based, emulation of tape flanging. Thickening snares, guitars and vocals are H910вЂ™s bread and butter, but robot sounds and gritty octaves are just as easily dialed in. With its unique combinations of pitch shifting, feedback, modulation and delay, itВ was a huge hit across studios worldwide. The H910 HarmonizerВ was the world's first digital effects unit. The flexible nature makes the Omnipressor plugin a must-have, with options to control all aspects of dynamic modification. The Omnipressor, released in 1974, set the stage as the first dynamics effects processor, introducing the concepts of infinite compression, dynamic reversal, and side-chaining. Experience all of its analog charm with the Instant Phaser Mk II plugin and add вЂњAgeвЂќ to taste. It used analog all pass filters to mimic the effect achieved by time delay resulting in a modulation effect all its own. Originally intended to make the painstaking task of tape flanging quick and easy, engineers and producers would use it for smooth, transparent modulation and pleasing stereo decorrelation.

The Instant PhaserВ was the world's first studio phaser and the first rack mount effects unit, period.

Eventide h910 harmonizer & stereo room reverb